Peter V. Brett, The Demon Cycle
Currently a four volume series including The Painted Man (2008), The Desert Spear (2010), The Daylight War (2013), and The Skull Throne (2015), with a fifth and final volume due out some time in 2017. I’ve read the first three, with the fourth on deck, and I’ll review that down the line.
This one took me a little bit to get into to. When I first started it, the concept of some sort of demons rising from the ground at night with the intent to destroy humanity, and being able to ward them off with simple signs drawn or painted, seemed, well, stupid. But at some point I got into the whole magic and sweep of it, as I pushed further through (I’m trying to be relatively faithful to the list I have of recommended fantasy series). I still find myself a little mystified by the existence of the demons – apparently their existence being “our” fault, after some sort of nuclear holocaust, there’s just no real connection as to why they came to be, or why there are so many different types. But I like the battle of good and evil, and that it’s not all one-sided, the battle also rages between factions of remaining humans. The not so loosely veiled Christianity vs Islam approach to both demon fighting and each other is clearly drawn from the political and religious battles of our own modern world, and at first I thought I was going to find that a bit off-putting, because it seemed a bit “Christian good, Muslim bad”, and overall, there is that bent, but at least the author takes the time to explore the motivations and drive of the other side, and why its approach is so different. Still, the series mostly stays with three primary characters, starting from their adolescence and working forward, and although sections are shown from the viewpoint of others, particularly on the “Islam side”, these three are all on the “Christian side”. ☆☆☆☆
Patricia A. McKillip, The Riddle Master
Trilogy includes The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979).
I have to admit, this wasn’t one of my favorites as I’ve been reading through these various series. It’s well written and engaging, no question. And there’s the whole magic, and a grand quest, and romance, and even a bit of battling. But when it came down to it, I didn’t like any of the principal characters. Their reasons for jumping into their individual quests and the grand one were superficial, and mostly seemed spur of the moment, impulsive, emotional decisions, with little thought. To a tee, each of the protagonists was basically selfish, barely giving a moment’s thought to their families and friends, because “I wanna do this”, and not seeming to care if others were hurt in the process. They hold stupid grudges, they’re not interested in each other’s points of view, and there just seems to be a missing logic to a lot of what they do. At the end of the trilogy, with the big wind-up, I just really didn’t care who came out “on top”, and I was just ready move on to another series and hopefully some more likable people. ☆☆
Brandon Sanderson, Mistborn
Trilogy of The Final Empire (2006), The Well of Ascension (2007), and The Hero of Ages (2008).
I loved this one, from minute one, to the end. I’d already encountered Sanderson’s fantasy writing in the first two volumes of the (eventually) ten volume The Stormlight Archive, and really liked his writing there (it was before I started doing these reviews, so I haven’t written it up, maybe when another volume or two is published). The whole concept of using something ordinary, in this case, metals, as essentially magical essences, fascinated me, especially the interplay between the different types of magic, or power, engendered by each. The sweep of the different factions, the exploration, the delving into the history of how it all came to pass, some of which might, in other hands, seem like pedantic tangents, was treated in a way that was just as intriguing as the action sequences. I like that both protagonists and antagonists have their flaws and aren’t “black and white” as to where they fall, and, I really appreciated that the character development as the storyline continued, allowed for some real twists and turns. The world setting (at least up until the way the series wraps up) would make a fascinating MMORPG… just sayin’. ☆☆☆☆☆
Brandon Sanderson, The Alloy of Law (2011)
Okay, after that glowing praise, I’m going to have to damn this one with the faint stuff. After a several year stint off on other fantasy writing, Sanderson returned to the Mistborn world with another trilogy, referred to cutely as the “Wax and Wayne” trilogy. It’s set in the same world, but 300 years in the future. And I have to admit, I didn’t really like it. The combination of the whole Wild West scenario with the deep magic, stone castle feel of the original trilogy, just didn’t jive for me (there’s no seeming logical reason for the shift in such a short span of time). I realize that it’s supposed to be the start of a completely different series, and that Sanderson originally wrote it just as a creative writing exercise in a new genre “to clear his head”, and then later decided to publish it, but given the ties to the original, it’s hard to separate the two, one being a rich, explorative series, and the other being a sort of perfunctory shoot-em-up series that just makes use of pieces of the original. It also felt a bit as if it had just been scribbled off, and while when I read it I didn’t know about the reason it had been written, in retrospect it makes sense, it didn’t feel like it was written with any commitment to tell a story, it was more just a lot of character sketch development. I ended this one with no real interest in reading the other two in the W&W series. ☆☆
Scott Lynch, Gentleman Bastards
Trilogy of The Lies of Locke Lamora, Red Seas Under Red Skies and The Republic of Thieves, with four more planned novels in the series yet to come.
I find, often, that I really enjoy books that take on the world from “the other side”. In this series, the protagonists are a band of thieves, con men, and even at times, worse. And yet, for the most part, they’re the most sympathetic characters in the series – of course it was written that way, but it all feels very logical. Of course we should root for these guys to come out on top. And no, it shouldn’t be easy for them, they should have to take their hard knocks, but they should get back up and keep going, and bit by bit, time and again, come out on top. It’s the same reason I love movies like Cary Grant’s John Robie in To Catch a Thief or it’s later incarnations as Robert Wagner’s Alexander Mundy in It Takes a Thief or even the modern version of Matt Bomer’s Neal Caffrey in White Collar (though admittedly that might be partly just the eye-candy). This series follows, particularly, one Locke Lamora, from his introduction to the band of the Gentleman Bastards as he develops from an impulsive, willful, and a bit dangerous young child, to a more considered, but still impulsive, willful, and a bit dangerous young adult. The writing is tight, the character development is brilliant, and the storyline makes complete sense, even when it seems to jump around. It doesn’t hurt, from my personal perspective, that there’s lots of good food and drink, with intricate descriptions, thrown in – someone likes their food. I’m looking forward to the continuation of the series. ☆☆☆☆