The Mind of Dan Perlman – Page 30 – And the lima beans laugh and laugh…

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Pop My Cherry

Dan P.Wednesday, October 13, 20040

Outlet Radio Network
October 13, 2004

Pop My Cherry

Sorry, that was just to get your attention.

I’m on a bit of a mission. It’s somewhat casual, I can’t say I’m devoting a huge amount of time to it. But nonetheless, it’s a mission. I want to bring back the popularity of Maraschino. The liqueur, not the cherry. In fact, I find no excuse for the cherry.

That’s not entirely true. There is an excuse for the cherry, but that’s all it is, an excuse. Originally, maraschino cherries were made from various wild European sour cherries. They were steeped in Maraschino liqueur for days on end, much like brandied cherries are now. Packed in jars, they were shipped off to the wilds of gay Paree, where, in the late nineteenth century, they were all the rage.

Then came Prohibition. Another example of our country carrying a joke too far, something, as I keep reminding you, we’re quite good at. Somehow these wonderful, wild, sour, European cherries that had spent their days lazily floating about in liqueur were converted into what is, simply, an abomination. Some minion of evil, unknown to me, took sweet cherries, pickled them overnight in salt, sugar and alum to bleach them, then soaked them in red food coloring and a sugar solution to produce the vivid vermillion balls we now find sunken in our drinks. So that’s the excuse.

To finish off with the cherries themselves. Try making your drinks with brandied cherries, which are readily available in fine food shops. You’ll be surprised at how much more interesting they are. Even better, if you’re making drinks at home, make your own. It’s not that hard to put a bunch of cherries in a jar and fill it with brandy… or better yet, the original, Maraschino liqueur, and let them soak for a few weeks.

Which brings us back to my mission. It was a serendipitous find, this liqueur. Well, sort of. You see, I was reading a novel of historical fiction – a fascinating book, Cryptonomicon, by Neal Stephenson. The details of the book are irrelevant, but there was a passage in the book where two of the characters pop open a tin of caviar. A discussion ensues in which one asserts that the typical vodka or champagne accompaniments are just plain wrong, and that the original drink that the czars of Russia imbibed with good caviar, was a good shot of chilled Maraschino.

I had to try it. My friends and I were stunned at how well the two went together. The slightly bitter, slightly sweet, intensely cherry flavored liqueur balanced perfectly against the briny, crunchy sturgeon roe. It was a match made in heaven. Not that I eat much in the way of caviar on my budget, but I doubt I’ll ever have anything else with caviar again.

Which led me to explore this liqueur. Again, once wildly popular, it has for the most part become one of those bottles on the back bar, or even hidden away, or even non-existent, at most drinking establishments. To the best of my knowledge only two brands are currently imported to the United States, though they are by no means the only ones made. Luxardo and Stock. The former is probably the most recognizable – coming in a thin green glass bottle, the lower two-thirds covered in wicker. The Stock is slightly sweeter, and has a less interesting bottle. The Luxardo has a touch more of that bitter note.

Maraschino is a clear liqueur made from marasca cherries. These are grown throughout the Dalmatian coast area, i.e., Croatia and Istria. The liqueur is made from both the juice of the cherries and the essence of the crushed cherry pits, which is where the hint of bitterness comes from.

There are dozens upon dozens of old cocktail recipes (and here and there new ones) that make use of this spirit. Any good bar book will direct you to several, the top bartending websites like Webtender and DrinksMixer list, respectively, 49 and 117 cocktail recipes that make use of it. I recommend it. I urge you to try it. Oh just go out and buy a bottle, throw it in the freezer, buy a tin of good caviar, and serve shots alongside. You won’t be disappointed.

Boomerang

2 ounces of dry gin
½ ounce of dry vermouth
2 dashes of bitters
½ ounce of Maraschino

Shake these ingredients with ice. Strain into a martini glass where you will delight to the beautiful soft peach color. Garnish with a proper cocktail cherry, i.e., either a homemade Maraschino cherry as discussed above, or a brandied cherry.

Wine picks for this column:

Cantina Nalles & Magre Niclara Pinot Bianco, 2003

Pinot Bianco, or Pinot Blanc, is one of my favorite white grapes. In the hands of a skilled winemaker it somehow seems to combine the steeliness and dryness of a good Pinot Grigio with the delicious aromatics of a Pinot Noir. Not surprising, since all three come from the same family of grapes. This is one of those delicious examples. My only disappointment – the wine in former vintages used to come in a bottle with a beautiful label adorned with a Venetian print, and was called “Lucia”. Now it comes with a somewhat ordinary label with a little countryside scene, reminiscent of a dozen other producers’ wines from the Alto Adige area of Italy. Still, the wine is a find. Pair this up with spicy preparations of seafood, vegetarian dishes or lighter meats. From Village Wine Imports, 212-673-1056. Around $10.

El Chaparral de Vega Sindoa, 2002

Spain, and the Navarra area in particular, is the current source of many of the new, hot wines hitting the market these days. It is worth your time and effort to explore as many of these as you can. This particular gem has been a favorite vintage after vintage, and the new release of the 2002 is no exception. Made from old vine Garnacha (Grenache) grapes, this is a concentrated flavors of raspberries and slightly sour cherries, peppery, simply stunning glass of wine. This is a great wine to go with grilled and smoked foods, or just to have on its own. From Jorge Ordonez’ Fine Estates from Spain, 781-461-5767. Around $12.

I started writing food & wine columns for the Outlet Radio Network, an online radio station in December 2003. They went out of business in June 2005.

Online Publications, Outlet Radio Network

Books, History, Sparkling Wines, Spirits, Wine

A Celebration of Giuseppe Verdi’s Birthday

Dan P.Sunday, October 10, 20040

Although one doesn’t normally make a big deal out of 191^st birthday, it was Giuseppe Verdi, so why not? We even accompanied the dinner with his music. He was something of a gourmand, and a trio of his favorite recipes turned out to be easy to find.

Sunday, 10 October 2004

The Second Sunday Supper Circle presents:

A Celebration of Giuseppe Verdi’s Birthday

With a selection of his own music from Rigoletto, Otello, I Vespri Siciliani & La Traviata

La Squisita Minestra di Giuseppi Verdi
(Vegetable and pasta soup)
1982 Pol Roger Brut Chardonnay

Risotto alla Salernitana
(One of my favorite risottos, finished with prosciutto di parma, parmigiano and mozzarella)
1995 Leone Conti Contiriserva

Supremes de Volailles Verdi & Fagiolini Verdi alla Pesto Balsamico
(Chicken breasts with a fresh cheese, walnut, and bell pepper cream sauce; green beans with a balsamic pesto)
1978 Pio Cesare Barolo Riserva

I can’t imagine that we had a dinner without either a cheese course and/or a dessert, but I suppose it’s possible….

Dinner Menus - Second Sunday Supper Circle

History, Menu, Music

Read All About It

Dan P.Wednesday, September 29, 20040

Outlet Radio Network
September 29, 2004

Read All About It

I confess. I am a packrat. Not your traditional packrat who collects bits and pieces of everything under the sun and sticks it somewhere. I don’t have piles of old newspapers laying about the house. I have cookbooks. I like to think that I’m a collector, and I may claim that in my stronger moments, but in truth, any cookbook will do. And, I read them. Cover to cover.

Every year a few cookbooks come out that are dedicated to a specific ingredient. Sometimes that ingredient is loosely defined – books on cooking mushrooms, cooking with olive oils, cheese primers, different sorts of eggs, etc. But the most fascinating to me are those that focus in on something specific and, preferably, exotic. One such book arrived from the publisher recently and I thought I’d share it.

The Breadfruit Cookbook : The Ulu Cookbook
Fae Hirayama

It is the rare person in most of our circles who knows what Ulu is. We might perhaps know it as breadfruit, but even there it is likely to be something we’ve only heard about and never tried. Fae Hirayama wants us to know more. She has packed together an amazing collection of recipes that use breadfruit in ways traditional and modern in this spiral-bound softcover. The Breadfruit Cookbook includes 115 recipes and several pages of information on how to prepare ulu.

Fae has also thrown in tidbits about breadfruit, and a bit of history of its use, and the tiniest soupçon of information on her family’s use of this ingredient. Her website ~~(www.ulucookbook.com)~~ does much the same and includes links to scientific and nutritional references on this useful and delicious fruit. In the end, it is a delightful collection of recipes, and useful for that. The few recipes that I tried were well written and produced the promised results.

I do wish it was a more “readable” book. There is little in it about Fae herself, or her family, something that would have made it a more interesting read. All in all, however, it is worth the price ($17.95) for the lover of the unusual and exotic. It appears to be self-published, and for that she must be commended. Copies are available via the website listed above.

The Dancing Gourmet: Recipes to Keep You on Your Toes!
Linda Hymes

There are dancers out there whose bodies I look at and think “wow”! There are others who are so emaciated they could pass for refugees from some famine-wracked region. Linda Hymes, a dancer herself, claims that dancers who are thin are thin because they exercise. Not their diet.

To bolster her point she has written a cookbook based on her own personal menus, and the book, at least, certainly doesn’t reflect a weight loss regimen. Ranging far and wide, The Dancing Gourmet has recipes from snacks to desserts and every course in between, with selections that cover the globe.

Hymes certainly has the quailifications to write this book. She spent fifteen years as a professional dancer and then attended and graduated the culinary program at Le Cordon Bleu in London. She is clearly a talented writer, and I enjoyed reading through passages that cover snippets of a dancer’s life as well as her creative process in the kitchen. The book is also beautifully illustrated with photographs, both food and dance related.

While definitely not a “diet” book, as pointed out, the cuisine is oriented towards the healthy end of the spectrum. The recipes are easy to follow and for the most part simple to prepare. All-in-all this is a winning book, even if the cover price of $26 is a bit steep for the length and content.

The Renaissance Guide to Wine and Food Pairing
Tony DiDio & Amy Zavatto

One of my favorite people in the wine business, not to mention a good friend, is the co-author of a new book just out on my favorite topic, food and wine pairing. I’m always delighted to see people offer good advice on the subject, especially when they do it well. Renaissance Guide to Wine & Food Pairing fits the bill admirably.

Now, I’m not just saying this because I actually rated an entire paragraph in the book (page 63). In fact my billing as some sort of master of the Grrranimals approach to food and wine gave me pause for a moment. But I think it’s a good thing.

This book is a great read for anyone interested in wine, especially if they plan to actually drink it with meals. It is a series of interviews with top chefs and sommeliers from around New York City and some wonderful winemakers. These are interwoven with an in-depth look at the basics of how to approach matching food and wine, how to taste wine, and basic shopping advice for both wine shops and restaurants.

Tony DiDio and Amy Zavatto have written a book that is easy to follow and covers the field without becoming pedantic or serious. It makes the topic fun and interesting, and makes it clear that the entire field is a matter of opinion, and this particular book is one man’s opinion, but welcomes readers to form their own.

I started writing food & wine columns for the Outlet Radio Network, an online radio station in December 2003. They went out of business in June 2005.

Online Publications, Outlet Radio Network

Books

No Apology Necessary

Dan P.Monday, September 13, 20040

Outlet Radio Network
September 13, 2004

No Apology Necessary

What is it about wine that makes people think they should know about it? I’m not referring to the basics of being able to tell if it’s white or red, or even whether or not one likes it. I’m placing my attention squarely on the prevalent view that one “should” know vast amounts of data on the subject.

This topic has been noodling around in the back of my mind for some time, but was brought to the front this weekend. A woman came into the shop to purchase a bottle of wine for dinner. Based on her manner of dress she was clearly what one would call a “career woman”. She opened the conversation with an abject apology for her complete lack of knowledge of wine – a situation which clearly made her feel inadequate as a human being. The apology showed signs of turning into a several minute soliloquy.

I stopped her and asked what she did for a living. It turned out she was an investment banker. Now, investment banking is a topic on which I could wax poetic for all of two seconds. I told her this. Her response was “but I should know about this!” My response – she spends her entire work day focused on investments. The people who need investment banking done rely on her judgment and expertise to handle it for them. I spend my entire work day focused on wine and food, as do the rest of my colleagues worldwide. She doesn’t need to know the topic, all she needs to do is rely on our judgment and expertise.

I can’t say that my answer completely satisfied her, but she did see the point, relaxed, and we talked about her dinner and picked some wine to go with it. I can’t say the answer will satisfy anyone else, but I really do mean it. You don’t need to know this stuff in some deep hardwired way. It’s why I write about wine and food – it gives you some ideas, some suggestions, and hopefully you’ll try them out. Because it really is what I do all day long.

I taste a lot of wine (and a fair amount of food). That doesn’t mean I open a different bottle of wine each night with dinner. It means I sit down with winery, import, and distribution representatives every work day and taste through numerous samples. On the order of well over one hundred a week. I taste good wine, I taste mediocre wine, I taste blatantly bad wine. It’s part of the job. Then I pick the ones that I not only do I like, but that I think my customers will like, and, that I think are fairly priced.

So when I’m asked about a wine off the shelf, I can actually talk about it. I really did taste it. Yes, at some point, I tasted every one of those hundreds of selections that I make available. I took notes, I reviewed them, sometimes I go back and taste the same one again to make sure. And, in any good wine shop, or good restaurant with a sommelier (or at least someone who is really responsible for the wine selection), they do the same thing.

So the next time you stop in to pick up a bottle for dinner, take a minute to get to know us. You don’t need to apologize for not knowing about wine. We don’t care. We’re going to take care of you anyway.

[Update] My column earlier this month elicited several responses, all positive, but all with the same request… if you’re tasting so many wines, why don’t you share them with us!? So, from now on, I’ll include a couple of favorites from recent samplings at the end of each column. My only caveat, of course, is that not all wines are available everywhere, though any good wine shop ought to be able to track down a source for you – I will try to include information that will help them do so. Prices vary from area to area, not to mention shop to shop, but I’ll try to give you a rough estimate.

Both of this column’s wines were selected out of a tasting from local distributor Martin-Scott Wines.

Torii Mor Winery Pinot Gris, 2003, $15

Famous for it’s high-quality, handcrafted Pinot Noirs, Oregon’s Torii Mor has become a recognized label amongst the wine cognoscenti. This was the first time I’d tasted their Pinot Gris (which is the same grape as Pinot Grigio – just a difference between the French and Italian names for the varietal) and I was totally blown away. This is the best domestic Pinot Gris I’ve tasted in years. Rich and ripe with flavors of pear, melon, and just a hint of sweetness, this is a fantastic match for spicier foods… maybe a nice five-spice crusted salmon filet… Winery website

Pagor Tempranillo, 2002, $15

The classic grape of Rioja and Ribera del Duero in Spain, tempranillo is generally a medium-bodied, spicy, earthy red. It is a great match with lamb dishes and hearty stews. The plantings of this grape are few and far between outside of Spain, with, to the best of my knowledge, only about half a dozen wineries in California growing it. I know little about Pagor Winery itself, but I’ve been impressed with this wine vintage after vintage. The 2002 shows bright cherry and berry fruit with a touch of dark chocolate and spice. (Pagor Winery: 800-484-8100)

I started writing food & wine columns for the Outlet Radio Network, an online radio station in December 2003. They went out of business in June 2005.

Online Publications, Outlet Radio Network

Sommeliers, Wine

Liquid Salad

Dan P.Friday, August 20, 20040

Outlet Radio Network
August 20, 2004

Liquid Salad

The end of summer is already visible on the horizon and I feel like it’s barely started. A strange one, at least here in New York. Grey and drizzle have predominated, blazing sun has alternated, and the usual July/August steambath just hasn’t happened. No dog days for us this year.

As anyone who knows me knows, I love to cook. During these warm months, I try not to turn the stove on more than I have to, so that means having fun with cold foods. I’ve always been a bit of a soup fanatic, and this time of year is perfect to experiment with the cold versions. I’m not talking about vichyssoise, which requires cooking and then cooling. I’m thinking cold fruit soups, cold herb soups, and, my favorite, gazpacho.

For those who aren’t familiar, well, first, just where have you been living? Second, it’s a cold vegetable soup, or maybe bread soup, or almond soup, or… and, umm, it’s from Spain, or Mexico, or South America, or… I’ve read through dozens of “official histories” of gazpacho and its origins and no one seems to agree on just what it is or where it is from. The name may have come from ancient Spanish, Greek, Hebrew, Arabic, or any of several other proposed languages. The most prominent theory seems to be Andalusia in Spain, and that it involves pounding stale bread, garlic, tomatoes, vinegar and olive oil together into a paste and then adding water to get your consistency right.

But walk into any restaurant here in the states that offers gazpacho and the most likely thing to be put in front of you is a bowl of fancy tomato soup. Cold. I’ve seen and tasted versions that were indistinguishable from Campbell’s tomato soup served straight from the can, I’ve seen versions that looked like they’d been constructed at the salad bar and doused with water, and every variation in between.

I’ve tried white gazpacho – a bread and almond concoction, redolent of garlic. I’ve tried yellow, green, orange, and red gazpacho. I’ve seen them with no tomatoes. I’ve seen them made with fruit – melons being the most prevalent. (In fact, finely diced watermelon replacing finely diced tomato in salad or soup makes a wonderfully refreshing alternative!)

Gazpacho is easy to make if you’re willing to forego classic notions of pounding in mortars and just have some fun. At it’s simplest, toss a piece of stale bread, a couple of tomatoes, a cucumber, a bell pepper, an onion, and a couple cloves of garlic into the food processor. Pulse until you get a coarsely chopped consistency. Add salt, pepper, olive oil, and a splash of vinegar, mix well, chill and serve a few hours or the next day later.

Recently, I went with an all-green theme for a dinner party. I wanted a touch of smokiness, so I spent a little extra time on this one. I charred some green tomatoes and some green “Italian frying peppers” (as the supermarkets insist on calling them) on my stove. I seeded the peppers, removed most of the charred skin from both tomatoes and peppers, and proceeded as above. Heaven in a bowl!

Charred Green Gazpacho

3 green tomatoes
2 green Italian frying peppers
1 cucumber
3 scallions
3 cloves of garlic
1 stale bread roll
¼ cup sherry vinegar
¼ cup extra virgin olive oil
salt and pepper
chives
crème fraîche

The first step is the hardest one. Charring the tomatoes and peppers. You need an open flame, preferably the top of your stove or a grill. If you have an electric stove or induction burners, you’re pretty much screwed on this one. Go out and buy a small propane torch at your local hardware store…

Over a low to medium flame set the tomatoes and peppers on top of your burners. Let the skin come in contact with the flame and char. When it blackens, use tongs or your fingers to gradually turn them around so that pretty much all the surfaces get an even charring. Remove them and place them in a paper bag and close it. Let them steam for a few minutes – this helps loosen the skins, and infuses more of the charred flavor into the vegetables. Take a couple of paper towels and rub the skins off – it’s messy, but it works. You don’t need to get every bit of skin off, a bit of the blackened skin adds more to the smokiness of this dish. Open the peppers and remove the seeds.

Plop the tomatoes, peppers, cucumber, scallions, garlic, and bread roll into a food processor. Use the pulse feature, or, if you don’t have one, just pulse it on and off by hand. Process until coarsely to finely chopped. This is pretty much a matter of your personal preference and how chunky you want the final soup to be. Add the vinegar and olive oil and mix. Add some cold water to get the consistency you want – probably about ½ a cup, depending on how juicy the tomatoes were. Add salt and pepper to taste. Put in the refrigerator, covered, and chill for at least 4 hours, preferably overnight. Taste, add more salt and pepper if needed (after chilling you often will need to add a touch more).

Finely chop the chives, mix into a little crème fraîche (fancy sour cream, which you can use if you can’t find the crème fraîche). Ladle the soup into bowls, top with a dollop of the crème, enjoy. Eat.

Serves 4.

I started writing food & wine columns for the Outlet Radio Network, an online radio station in December 2003. They went out of business in June 2005.

Online Publications, Outlet Radio Network

Stews and soups

South Beach Cosmo

Dan P.Monday, August 9, 20040

Outlet Radio Network
August 9, 2004

South Beach Cosmo

Never let it be said that we Americans don’t know how to carry a good joke just a little too far. My current fave for “okay, enough already” is the low-carb diet craze. Atkins or South Beach or whomever else has popped onto the radar, let’s stop the insanity!

Though not carb-related, it first struck me when I picked up a carton of Tropicana OJ and noticed that the label now proclaims that it is Cholesterol Free! And Lactose Free! Yes, I was quite worried about all the animal fat and dairy in Florida oranges. Okay, it’s just marketing for the masses, but…

It came up again in the wine shop. Someone came in and asked to be directed to the low-carb vodkas. Someone else asked about the low-carb wines. Then in a bar someone ordered a cosmo made with low-carb vodka.

Let me set the record more or less straight…

Here are the raw numbers: Carbohydrates have 4 calories per gram; Fats have 9 calories per gram; Proteins have 4 calories per gram; and Alcohol has 7 calories per gram.

A standard five-ounce glass of wine has approximately 100 calories, of which roughly 90 calories come from the alcohol. The rest comes from, yes, Carbohydrates – a whole 2-3 grams of them. (Actually, to be technical, they are Carbohydrate Equivalents – there are really less than 1 gram of true carbohydrates in a glass of wine.) The new “low-Carbohydrate” wines are reduced to an amazing 1.6 to 1.9 grams, cutting the Carbohydrate calories by approximately one-third!

The wine still has almost 95 calories.

Straight spirits, i.e., vodka, gin, rum, tequila, and whiskey, have zero carbohydrates. Yes, zero. Always have, currently do, probably always will. So a “no-carb” vodka on the shelf for twice the price of your current favorite brand? Totally marketing hype.

And that cosmo? The carbohydrates come from where? Oh yeah, the cranberry juice, the triple sec (sugary orange liqueur), even the lime juice! Not the vodka. No carbs to cut. And the only way to lower the calories in spirits is to lower the alcohol content.

Oh, and a final point… All those low-carb diets tell you not to drink alcohol during the initial phase, and then limited quantities in the later phases. Why? Not because they have carbs. Because they screw with your blood chemistry and tend to induce you to eat more.

Gin & Tonic please? Hold the lime, I’m watching my carbs…

I started writing food & wine columns for the Outlet Radio Network, an online radio station in December 2003. They went out of business in June 2005.

Online Publications, Outlet Radio Network

Diets, Spirits, Wine

Doneless Deconstruction

Dan P.Monday, August 2, 20040

Outlet Radio Network
August 2, 2004

Doneless Deconstruction

“Grilled Doneless Pork Chips in AMex Spicy Saucy”. I hope and pray that this special advertised at a local eatery was merely the result of a poor command of the English language. If it isn’t, the trend towards “creative” cookery has just gone way ’round the bend. The image of thinly sliced, undercooked bacon with bits of credit card and chilies piled on a plate doesn’t do much for my appetite.

Now, I’m all for experimentation in the kitchen. I do it all the time. We all do. Necessity is the mother of invention and all that. Sometimes you open the refrigerator and there’s a jar of olives, some left over fried chicken, and an apple, and we say “oh, what the hell…” We don’t tell anyone we ate them together. Over day old rice left from the Chinese food.

But there’s a trend out there in the world that makes me uneasy. The current shining light is a Spanish gentleman by the name of Ferran Adria. He is touted by many as a slightly mad genius – turning food into foams and essences, powders and leathers. I’ve never eaten at his restaurant, and am unlikely ever to do so. I can’t say that it wouldn’t be an interesting experience. I can say it’s not really the way I want to experience dinner.

He’s not the only one. Every major dining city now has it’s dean of “deconstruction”. Yes, deconstruction is the term used for turning a perfectly delectable melange of flavors into an awkward experience of its components. Two of my favorite writers from the New York Times recently hosted a dinner party where they experimented with the concept. I enjoyed reading about their experience, it would have been fun to attend, but they also approached it with a “just what the hell is this all about” attitude. And you can bet the next day dinner was a bit more, well, put-together.

I’ve had dinner at a couple of those kinds of places, one in New York, one in Florence. My experiences at both were of the “this kind of stuff will be liked by people who like this kind of stuff” variety. Or, as one of my best friends phrased it, “blender food”. Lacking in a bit of substance to sink your teeth into. Air, foam, essence. Not dinner. I haven’t been back to either place.

And, by the way, it’s been done. There’s a packet of orange powder inside the famous blue box alongside the macaroni. Let’s see one of these temples of dining experience line that up with a pat of butter and splash of milk… Now that’s a cheese plate.